If you’re going to copy, make sure you do it well. In a flagrant (let’s be kind) homage to DJ Mustard, Mickey Singh returns with the strong “Body” – of course, not literally, as when you see him in a sleeveless top, he’s quite a few reps away from his target. It’s got a good groove, a decent melody, a repetitive chorus and well chosen guests. The video is a bit on-the-nose, but it’s quite fascinating to see the evolution of Singh into his current form. It should certainly work pretty well in the club, which is the intended target. (Reviewed by Raman)
Maya is back in full effect with this stunning (kinda) new video. Comprising of banging new song “Swords”, then morphing into a genial album track “Warriors” (taken from her 2013 album “Matangi”), it’s fascinating when melded with the visuals. She’s the embodiment of female empowerment, and the anticipation for her new album is building. Partnering with *Apple Music is an interesting strategy that seems to be reaping dividends for Drake, so let’s just hope that Maya’s “Matahdatah” comes soon. (Reviewed by Jesal)
*FYI this was originally released in July but was an Apple Music exclusive.
The first verse by Raxstar on “Queen” proves precisely why he’s the go-to guy for sensitive rap: it’s near perfect. It’s a strange song, and you’re never entirely sure who is meant to be the lead artist here; but to all intents and purposes Raxstar simply takes the song from Zack Knight. The beat is probably the only slight letdown, as those synths don’t work as well as they could have down; it’s also a bit fussy and over-produced, with too many vocal layers. But Knight does a solid job, and the Luton MC impresses. “Queen” will certainly find its intended audience. (Reviewed by Jesal)
An interesting new one from Raxstar. Detailing an argument with his missus, the Bearded One flows well over a DJ Harpz beat that has clearly been inspired by Diplo and Skrillex. The breakdown works particularly well, and although the instrumental could have been a touch more well-rounded, it’s certainly a bit different from the norm. “Poison” is definitely worth your time. (Reviewed by Rahul)
It’s nigh on impossible to tell whether “Brand New Swag” is really good or really shit. The beat sounds awful and brilliant at the same time. The chorus is dumb as fuck but catchy as hell. The rapping is either overly simplistic or perfect for the instrumental. The choice is yours. Sometimes music can be pretty damn confusing… (Reviewed by Raman)
With a beat that makes you screw your face up in the most cliched way, even prompting an “Ooooooohweeeeeee!” or two, “Favourite Song” is a musical treat. RKZ is still in a highly experimental phase in his arc, both drawing heavily from the Soulquarians movement and combining it with his own burgeoning confidence. Dope. Ass. Shit. (Reviewed by Rahul)
It’s refreshing to be able to type the title of the review and not have to stick a “Featuring” into it. This is just RKZ on his own, with a track from his forthcoming mixtape “Science X Soul”. You can perhaps start to sense the general musical theme he’ll be deploying – a juxtaposing of Soul-ful vocals, perhaps some live instrumentation but an underlying theme of Science (be that electronica or the hip hop variant). “Still Oceans” is a lush summer track with a barely-there chorus, an addictive guitar strum and RKZ’s relaxed rhymes. It’s pretty damn cool. (Reviewed by Jesal)